April 3, 2013

Voices Inside/Out Wows New York

Voices Inside/Out

The cast, directors, and team behind Voices Inside/Out. Photo by Chris Kateff.

On April 1, Voices Inside/Out held its third annual reading of inmate-authored short plays at Soho Playhouse.  The plays ranged from comedy (What happens when cookie’s are banned in a prison chowhall?) to drama (A true story based on one inmate’s 63 months in solitary confinement). And the rave reviews are in:

“One of the finest examples of how excellent theater combined with extraordinary talent can become a source of great good.” — Audience member

“The Voices Inside/Out experience reminds me that everyone’s voice is important, regardless of your circumstance, status in society, etc.  We all have a story and they are uniquely beautiful!  So thank you for the opportunity to express these wonderful stories and bring them to live with some amazing artists!” — Actor

“It’s important, brave work that ultimately, facilitates healing.” -- Audience member

Jonathan Ames hosted the event for the second year in a row. And it was announced that Mel Nieves (pictured far right, front row) will be the 2013 Playwright-in-Residence at Northpoint Training Center. Mel will spend eight days in Kentucky this June and teach master classes to the inmates in the pioneering playwriting program at the medium security all-male prison.

Mel Nieves is an Actor/Playwright/Teaching-Artist and long time member of the award winning LAByrinth Theater Company. He is a graduate of the William Esper Studios. He is a two time Metlife Foundation “Nuestra Voces” Playwrighting finalist. As an actor he’s appeared in Bent, Short Eyes, most recently Mando Alvarado’s Sangre for SummerStages and the feature film The Children of Hip Hop written and directed by Antonio Dela Cruz. As a playwright his work has been seen in New York, Los Angeles and Chicago works include, By The Dawn’s Early Light: Midnight Mass & Los Embrujados, W.A.C. Iraq and In Da Boogie Down.

Thank you to the actors, directors and audience members who supported Voices Inside/Out, and we look forward to seeing you in the near future.

March 27, 2013

Why Voices Inside/Out Matters

Rickie_Mac
 
Rickie (pictured left with playwright Mac Rogers) is a founding member of the playwriting program at Northpoint Training Center, a male medium security prison near Danville, Kentucky. His plays Reflections From Behind The Wire and 12 Minutes have been presented by Voices Inside/Out. He was released from prison earlier this month and wrote about why Voices Inside/Out is important.
 
“Someone once said, ‘Life isn’t about waiting for the storm to pass. It’s about learning to dance in the rain.’ As one of the original founding members of the Voices Inside playwriting program at the Northpoint Training Center, a medium security prison in Burgin, Kentucky, I learned that principle from the Voices Inside team. Not only did I learn it from them, I actually experienced it firsthand when I helped save the lives of two female Correctional Officers who were being brutally assaulted by another inmate at that facility. Would those women be alive today had it not been for Voices Inside and Voices Inside/Out? Would I have helped the women had I not been enrolled in the Voices Inside program? It’s doubtful. Robby Henson, Liz Orndorff, Holly Henson, Noelia Antweiler, Synge Mayer, Curt Tofteland, Lanie Zipoy and all the others that came barreling through the doors of Northpoint insisted on one thing, “Speak the truth”.  Robby told me at one point that genuine art is when you peel back layer after layer much like an onion until the only thing left standing is the truth.
 
When I ran to help those women, I knew intuitively that I did so at great peril to myself. Female or not, the prison code mandates that you not assist those wearing a badge. To do so sets one at great risk of being murdered and/or ostracized from general population. There were attempts on my life after I helped those women, and I certainly was ostracized from general population. I was thirty feet from them when the assault began, and as I told the Voices Inside Team via a letter later on, ‘I wanted to tell you personally that even though I feel I would have gone to their aid eventually, the fact is because of the writing program that you guys brought to this facility, it enabled me to help these good people with a noble heart and a clear mind. You tell us constantly to ‘speak the truth.’ Many times our actions speak for us. Thank you again.’
 
Let me ask those that read this, would you risk your life to help two complete strangers, knowing that as you did you risked being assaulted or murdered for having done so? Voices Inside/Out allowed me to run to those women’s aid, not crawl, not walk, but to run. I am a living testimony to the power of that program, just as those women are a recipient of that power.
 
Barbara Janice Kielhofer, in her excellent article titled, Can Art Change Your Life, alludes to the power of the writing program. “Voices Inside/Out was founded to support Voices Inside, the playwriting and theater arts program at Northpoint Training Center, a medium security prison in Burgin, Kentucky. The goal of Voices Inside/Out is artistic exchange between prisoner-playwrights at Northpoint and professional playwrights. We believe everyone can benefit and expand their worldviews from this program. We accomplish our mission in two ways: presenting the inmates’ plays in New York City to a wide audience and supporting a playwriting residency for an accomplished playwright each summer at Northpoint.”
 
I had two plays presented in New York thanks to Lanie Zipoy and Synge Mayer of the Voices Inside/ Out program. Reflections From Behind The Wire, was my first; 12 Minutes, my next. Robby Henson, Liz Orndorff, and Curt Tofteland are solely responsible for 12 Minutes. I was told that I needed to bear down, to write about the dismal things that had occurred in my life. Though initially I was reluctant to touch some of the issues, through their gentle persistence, I looked, for the first time, at the death of my son and all the pain that was involved in that episode.
 
I learned of my son’s death sitting in a prison cell in Western Kentucky. While skimming through television channels on a 13-inch television set, I stumbled across a breaking news story about a small house burning. As I watched I realized the house that was burning was the house of my son and his mother. I watched from fifty miles away as my son drew his last breath in this world surrounded by fireman and EMTs. I was unable to lift a finger to help him. The pain of seeing that was etched deep in my psyche. The guilt of being incarcerated as opposed to being there was overwhelming. It crushed the very life out of me. The entire episode was seared into my conscience. Upon my release in 2005, I turned to substance abuse to alleviate the pain from the loss of my son and the death of my mother. I was subsequently returned to prison for technical parole violations. Until I started writing because of Voices Inside and Voices Inside/Out, I never understood why I did the things I did. Though I was away for 62 months, it was the best thing that could have ever happened to me.
 
After serving 62 months for a technical parole violation, I was released from prison on March 1, 2013. As I told a dear friend recently, because of the Voices Inside/Out program, I ran to the nearest library, to the nearest church, to the nearest N.A./A.A. meeting upon my release. I ran to family gatherings as opposed to running with my old crew. I utilize the internet to stay in touch with my playwriting friends, to research, and to write, as opposed to using it as a dating tool. I no longer cringe when I encounter a police vehicle. When I leave home in the mornings my thoughts are on whom I may possibly help this day. Voices Inside/Out is responsible for the change in me. I reside with an Evangelist as opposed to a drug dealer. Two of my best friends are a school teacher and a secretary for a principal of a middle school, sterling members of their communities. I try to speak to my nieces, brother, cousins, nephews, and other family members every night. I was asked to come share my story with a good group of people recently. Later I was reminded by a lady named Regina that I had an obligation, a holy obligation, to do something good in this world with my life. I spend four hours every Tuesday with four women and two men determined to make a difference in this world. Before Voices Inside/Out, that would have never occurred. Does Voices Inside/Out matter? It did for me.”
 
–Rickie

February 27, 2013

Tickets Now on Sale for Voices Inside/Out Reading April 1st in New York City

 CELEBRATE GREAT ART & A GOOD CAUSE!

IMG_0693-2


Jonathan Ames
returns to host Voices Inside/Out, a staged reading of five inmate-authored plays created in the groundbreaking playwriting program at Northpoint Training Center, a male medium security prison near Danville, Kentucky.

This year’s stellar line-up of short plays proves once again that imagination has no barriers.

TICKETS: $25
The first 40 tickets are only $10. Get yours now!
There are a limited number of VIP tickets ($50), which include a post-show champagne toast.

Buy now or call (866) 811-4111
MONDAY, APRIL 1st at 7:30 PM
SoHo Playhouse
15 Vandam Street between 6th Ave. & Varick
Subway: C/E to Spring St. or 1 to Houston

THE SHORT PLAYS INCLUDE COMEDIES & DRAMAS SET BOTH INSIDE & OUTSIDE OF PRISON
HEALING || THE HOLE  ||  I’M NOT DYING ||
JUST ANOTHER DAY IN THE DAYROOM ||  PALABRAS

All net proceeds support the summer playwriting program at Northpoint, and seed the third annual residency for a professional playwright to teach master classes to the prisoner-playwrights there in June 2013.  The previous recipients of the residency are Holly Hepp-Galván (2012) and Mac Rogers (2011). We will announce the 2013 Playwright-in-Residence at the reading!

Tax-deductible donations may be made here.
All net proceeds benefit the program & residency.

February 20, 2013

Voices Inside/Out Reading Is Set for April 1, 2013

voicesinsideoutsavethedate

Our third annual staged reading of inmate-authored plays is set for Monday, April 1, 2013 at the historic Soho Playhouse. And, we’re happy to announce that one of our favorite New York City writers Jonathan Ames will return as our host for a second year. We’re honored that he will kick off the exciting line-up of new short plays written by inmates at Northpoint Training Center, a medium security prison outside Danville, Kentucky.

And, we hope you will join us for another entertaining evening of great art and inspirational theater. Tickets go on sale March 1st. We’ll post more information soon.

 

 

October 3, 2012

Voices Inside/Out Hosts ‘Reflections’ and Unveils New Poster

On Monday, October 1, 2012, dozens of people attended Voices Inside/Out’s REFLECTIONS, an evening celebrating Holly Hepp-Galván‘s 2012 playwriting residency at Northpoint Training Center, a medium security prison near Burgin, KY. The event was held at Davenport Studios in midtown Manhattan.

Jerry Matz and Holly Hepp-Galván

The evening began with Synge Maher, Voices Inside/Out’s Artistic Director, talking about the start of the program, and how she was so moved by acting in some of the inmate-authored plays in 2010 that she knew the world needed to experience their work. Holly, then, spoke about her time at Northpoint, the work created during her residency, and how spending the week working with the prisoner-playwrights has affected her writing since that time. Actors read scenes and writing exercises created by five of the inmates in the program. A big thank you to Tino Christopher, Jerry Matz and Mac Rogers for their participation.

The evening ended with a Q&A with Holly, Mac (the 2011 resident playwright), Synge and Lanie Zipoy, Voices Inside/Out’s Producing Director as well as the unveiling of this year’s poster featuring Holly (pictured below).

Voices Inside/Out poster

September 3, 2012

Another Successful Residency at Northpoint Training Center

The second annual Voices Inside/Out playwriting residency at Northpoint Training Center, a medium security prison in Burgin, Kentucky, was a phenomenal success. New York-based playwright Holly Hepp-Galván spent July 8th through 16th in Kentucky, where she taught master playwriting classes to the nine inmates who regularly participate in the Voices Insideplaywriting program at the medium security prison. Holly deepened the prisoner-playwrights’ knowledge of the craft of playwriting and shared her own creative triumphs and challenges with the men.

holly hepp-galván
Holly Hepp-Galván teaching the inmates at Northpoint Training Center.
On the first day, Holly led the inmates through a number of free writing exercises. The first one asked the inmates to write down a list of “things they knew right away.”Here are a couple of examples that the men wrote on the spot.

Darren
That I’m never getting out
That walls don’t talk.
That freedom is the most precious gift we have.

Bob
Music is beautifully orchestrated chaos
Pepsi machines cast big shadows

There are so many wonderful stories and writing work to share from Holly’s residency.  Voices Inside/Out will host a fall gathering to celebrate Holly’s wonderful contribution to the program and to present the great work that sprung from her residency. The event will be free and open to the public. Save the date: Monday, October 1st. We will announce the location very soon.

March 6, 2012

2012 Resident Playwright Announced

Voices Inside/Out supports the theater arts program at Northpoint Training Center, a medium security prison in Burgin, Kentucky, through mounting public readings of the inmates’ work and maintaining a playwriting residency at the prison each summer.

We are thrilled to announce that Holly Hepp-Galvån is the 2012 Resident Playwright. Selected from more than 80 applicants, Holly will spend eight days at Northpoint in July. While there, she will teach master classes, critique the inmates’ work and share her own experiences as a professional playwright with the prisoner-playwrights. The residency includes a $2,000 stipend, airfare, lodging, per diem, and car rental.

Holly Hepp-GalvanHolly Hepp-Galván is currently enrolled in the MFA in Playwriting program at Hunter College with Playwright-in-Residence, Tina Howe. She will graduate in May 2012. At Hunter, she has been the recipient of the Rita and Burton Goldberg
Award for her trilogy, “Departures” in 2009 and has won the Irv Zarkower award twice, for “Oddities” in 2010 and “Andrea’s Esophagus” in 2011.

Recent workshops and productions include “Oddities” produced by Communicable Arts at the Cell Theatre, “Blank Slate” at One Woman Standing at Emerging Artists Theatre (EAT), and “Sprites” which was commissioned by Pollyanna Children’s Theatre and Ballet Austin and will premiere at the Long Center in Austin, Texas in October 2012.

In addition, Holly has been teaching theatre arts, writing and performance since 1993. She was director of the Performing Arts School at Zachary Scott Theatre Center from 1994-95, and for the past ten years has been Adjunct Professor of Communication and Theatre Arts at both the College of Mount Saint Vincent and Manhattan College in Riverdale, New York.

“Writing humanizes and allows for new perspectives in a way that few things can.” — Holly Hepp-Galvån

February 7, 2012

Five Finalists for 2012 Playwriting Residency Named


 
The Northpoint Voices Inside Playwriting Residency finalists were just announced. Our selection committee has selected five extraordinary playwrights, one of whom will spend eight days at the Northpoint Training Center in Burgin, Kentucky teaching playwriting. Congratulations to:

Robert Attenweiler
Holly Hepp-Galván
Mel Nieves
Shaun Raviv
Crystal Skillman

The resident playwright will be announced at our benefit reading on Monday, March 5, 2012 at the Baruch Performing Arts Center in New York City. Tickets are on sale now here or by calling 866-811-4111.

January 12, 2012

Tickets on Sale for Voices Inside/Out

Our second annual benefit reading is just a few weeks away. On Monday, March 5th, we will return to Baruch Performing Arts Center for Voices Inside/Out, a staged reading of six plays written by inmates in the Voices Inside theater program at Northpoint Training Center in Burgin, Kentucky. Get your tickets now.

Proceeds from the reading support the Northpoint Voices Inside Playwriting Residency, which sends a professional playwright to Northpoint to teach master classes and critique the inmates’ work.

This year’s artwork features a ‘mugshot’ of the 2011 Playwright-in-Residence Mac Rogers. We must thank Michelle Haines for her brilliant artwork idea and the multi-talented Chris Kateff for taking the photo and designing our artwork. And, of course Mac Rogers for being our model.

Voices Inside/Out Benefit Reading March 5th
The plays that we will present are:
12 Minutes
Old Fish in a New Pond
Do What’s Next

Chain to Chain
My Inner Voice

Join us Monday, March 5th at 7:30 pm at Baruch Performing Arts Center (Baruch College: E. 25th Street between Lexington and Third Ave.). Advance tickets may be purchased here. We will announce the cast soon.

January 10, 2012

Get the ‘Advance’ Word on Mac Rogers’ Upcoming Play

Our first Northpoint Voices Inside Playwright-in-Residence was award-winning, Brooklyn-based Mac Rogers.  Last summer, he led master classes and offered his playwriting insights to the 12 prisoner-playwrights at the Northpoint Training Center in Burgin, Kentucky.

During his residency, Mac spent his nights writing part of his upcoming THE HONEYCOMB TRILOGY; the first segment — Advance Man — opens Thursday night at the Secret Theatre in Long Island City, Queens.  Rogers has been a hit on the New York theatre scene for a decade, winning ITBA’s Best Off-Off Broadway Play two years in a row for Universal Robots and Viral; garnering New York Innovative Theatre Awards nominations as a playwright and actor; and penning multiple New York International Fringe Festival award-winning plays and musicals.

Mac took time out of his busy schedule — helping build the audacious set for Advance Man — to answer a few questions about his upcoming play.

Advance Man, play by Mac Rogers
 
#1) Advance Man is part of a trilogy of plays.  How do you dream up a trilogy?  Did you have a story idea and just know that you couldn’t tell everything in three acts or did it grow organically?

 

MR: Originally I had the idea for the second part, a play – set inside a suburban home – in which the audience would gradually realize that the world outside had radically changed. As I developed that idea, I realized I also wanted to depict how this radical change had come to pass. Around this time, I saw Johnna Adams’ wonderful Angel Eaters, produced by the Flux Theatre Ensemble, and it emboldened me to the idea that an epic story told over several plays was possible. So I sat back down and reconcieved my idea as a three-part saga, THE HONEYCOMB TRILOGY, of which Advance Man is the first part, telling the story of how the world came to catastrophically change.

 

#2) You were working on the trilogy while in Kentucky for the Northpoint Voices Inside prison program.  What was that like?  Did the residency influence the trilogy or did the trilogy influence the residency?

 

MR: I wrote the lion’s share of part 2 in Kentucky while working with the playwriting circle at Northpoint. The director, Jordana, told me she feels like the work I wrote in Kentucky was more efficient and urgent that some of the stuff I’d written previously. For me, my work with the Northpoint playwrights reminded me what a great joy and solace and privilege it is to write plays, so there was a sense of recommitting to the discipline that I felt.

 

#3) What are three things people should know about ADVANCED MAN?

 

MR: 1. It’s a genre mashup – science fiction thriller meets family drama. With a strong side-helping of comedy.
2. It’s the most ambitious production my theater company, Gideon Productions, has ever mounted. The director, cast, design, and building teams are all exceptional.
3. IT WILL NOT BE BORING. I can’t stress that enough.

 

Advance Man runs January 12 – 29, 2012.  Tickets are $18 ($15 Students/Seniors).
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